Artaud, Blanchot and the désoeuvrement of the word

Abstract

Artaud's words are metamorphosed into events, established by the encounter with a literature traced on the edge of the crisis: written in/of the disaster and that forge assemblages that operate by gusts: they are conceptual powers that create each plateau. Considering the literary experience that imposes itself as a disjunctive sign, violence that causes irruption in thought, present in Artaud's literature and language; The objective of this article is to problematize the way in which the violence of a creative power of thought. in flux, becoming and heterogenesis occurs. To this end, using the Deleuze-Guattarian philosophy as a guiding thread, we think of a relationship between Blanchot and Artaud with regard to the concept of Désoeuvrement (disartwork) and what surrounds it, such as the refusal of the concept, and its erasure and attempt at a neutralizing life of the subject and the universal for the sake of literature. Artaud and his crossings, a crossing that he also crosses, which makes him a third shore of language. In this way, it is observed that Artaud reconstructs for himself universes of singularizing references, allowing us to conclude that he is the disartwork itself, the power of the negative, plastic and fluid: